In this site report Armstrong presents the surviving evidence for both the Volscian remains and the subsequent Roman settlement including sections on the inscriptions, site topography and history, and plans.
William Dinsmoor, one of the experts who directed the first reconstruction of the Athenian Acropolis, here sets out the process by which he was able to piece the gables of the Propylaia together from surviving fragments.
In this paper Elderkin gives a detailed description of the remains of the Fountain of Glauce in Corinth and the engineering methods used in its construction.
Arthur Frothingham, one of the founding fathers of Art History, here discusses the problem of the Gorgon in ancient Greek art by arguing that Medusa represents a lost prehistoric goddess.
This piece includes the text, translation, and commentary for a long inscription found on the temple of Artemis and shorter honorific inscriptions on cylindrical stelai found in the ancient city, all dating from the 4th century BC.
Arthur Frothingham, one of the founding fathers of Art History, here discusses the problem of the Arch of Constantine, whose form and artwork is at odds with the artwork of the era of Constantine.
William Dinsmoor, the famous historian of Greek architecture, presents the epigraphical evidence for this building process in this series of papers divided by individual building.
Arthur Frothingham, one of the founding fathers of Art History, here discusses the origins of Hermes, and suggests that the prototype of Hermes was an Eastern deity of Babylonian extraction.
Ancient Locris stretched from Thermopylae to Larymna and was home to the Locrians. In this ariticle Oldfather presents a survey of the sites and topography of this important region of Greece.
In this paper John Bonnel argues that the representation of the serpent in Eden as having a human head originated in the mystery plays of the 13th century, where the serpent was played by an actor and had a head.
Frothingham presents an ambitious overview of the development of orientation, or the directionality of sacrifice, prayer, and ritual, played a key role in ancient ceremonies, in the practice of ancient religions.
Lester B. Holland, professor of Architecture at the University of Pennsylvania, addresses the puzzle of Doric entablature, suggesting that the persistence of the form of the entablature is due to its mimicry of earlier fortifications.
The Ludovisi throne is a famous works of early Classical sculpture, a white marble chair covered with bas relief. This article compares the Ludovisi throne to a similar piece in Boston, arguing that the two works are companion pieces.
This article provides transcription, text, and commentary on the Latin inscriptions known in Corinth in 1918 and provides a useful tool for understanding the civic life of Corinth under Roman control.
In this paper Houghton addresses two problematic Italian Renaissance sculptures whose artists are unknown, the portrait bust of a youth and that of a Roman emperor.
This paper presents the very few surviving inscriptions from this period before Mummius' sack of Corinth and includes some of the few Greek decrees known at the time of the writing of the paper.
This paper reviews these competing theories of the definition of 'Gothic' and the way in which this style developed, presenting an overview of the difficulties involved in assigning a single name to a developing form of human expression
In this article Harriet Boyd Hawes, groundbreaking archaeologist, nurse, and relief worker, suggests that the reliefs are the adornments of a couch-altar that stood in the sanctuary which Themistocles restored for the Lycomids at Phlya..
Arthur Kingsley Porter here traces the roots of Renaissance sculpture to the smaller decorative sculptures found on the outside of churches and other buildings beginning around the turn of the first millennium A.D.
Esther van Deman reconstructs the structure of the Neronian Via Sacra (one of the arterial roads leading through the Roman Forum), which was refurbished during his reign with colonnades.
In this paper Margaret Waits offers an explanation for the pervasive and enigmatic symbol of the double-axe in Mycenaean culture with special reference to the religions of Greece and Asia Minor